Thursday, November 28, 2019

hooked.evd/KingPrincess: Mark Ronson, YEBBA, Sigrid, Emily King, King Princess, Janelle Monáe, MUNA, Kim Petras







I cannot get away from Mark Ronson, and I'm not complaining. This list is an ode to King Princess, who recently signed onto Ronson's record label, Zelig, an imprint of Columbia records. Their debut, Cheap Queen, just dropped at the end of October and is aces.

Like I said in my write up for Orla Gartland, I love finding an artist at the beginning of their career so I can follow their growth. Who else dropped recently that I should be listening to? What do you want to hear on the next hooked?

- Erin


Monday, November 25, 2019

Monday Mix 191125: Ennio Morricone, Kikagaku Moyo, Oingo Boingo, Metallica







This list sort of came together as a result of a few different things that were happening in my life around the same time, yet came together to create a playlist with an unintended theme.

That theme is cinematic feel in rock music, songs that feel like they are telling a full narrative journey, rich with texture and imagery, dynamic shifts and changes.

I've been going through the first four Metallica albums recently, trying to hear them with new ears. Along in my research, I learned they often opened their shows with Ennio Morricone's "The Ecstasy of Gold," and have even covered it. That cover version was the original impetus for this list.

Following the Western vibe, I played with songs from the Black Album, such as The Unforgiven, Wherever I May Roam, and The God That Failed, but ultimately went back in the catalog just a bit. Interesting how "Fade To Black" seems it could almost fit on the self-titled album.

I was listening to the local college radio station, and "Dripping Sun" came on. I caught it from the beginning, luckily, and rode with it all the way through. The opening guitar licks reminded me so much of the Spaghetti Western guitar sounds, and so I dropped it into this playlist.

At that point, I decided against making a Metallica-heavy list, and switched to the original "The Ecstasy Of Gold." Bookending is a nice, simple way to make these lists feel cohesive and complete, so I decided to move "Ecstasy" to the end of the list and kick off with the main theme from The Good, The Bad, And The Ugly.

A fan of Danny Elfman in general, my favorite work from him is 1994's album "Boingo." I toyed with the guitar-riff-heavy "War Again," the disorienting "Lost Like This," and the introspective "Can't See - Useless." The guitar flares in the intro of "Hey!" fit so nicely coming out of "Dripping Sun," and that was the playlist for a while. Finally, though, I thought that "Mary" rounded out the set much better, and elevated the list.

- Matt


Thursday, November 21, 2019

Viva Latina: Los Grammys latinos 2019 (Pedro Capó, Juan Luis Guerra 4.40, Nella, Alejandro Sanz, ROSALÍA, Bad Bunny, Kany García, Fonseca)







For this blog post, I focused on some winners from the 2019 Latin Grammy awards that occurred on November 14 this year.

I start off with the remix of “Calma” by Pedro Capó and Farruko. This won best urban/fusion performance. I love the vibe of this song and Farruko’s flow punches the original up a notch. The original version also won song of the year. Definitely a song of the summer.

Also featured is a song by Best new artist winner Nella. As a Venezuelan she wants to be a voice of hope for her country as shown through songs like “Volveré a mi Tierra.” Her songs combine Venezuelan folk, contemporary Latin pop and flamenco. Her voice is distinctive and soulful.

Also featured on this playlist is flamenco trap superstar Rosalía who won album of the year and best contemporary pop album for El Mal Querer. Rosalía is a force and her songs are haunting, engaging, and unique.

Urban music artists were snubbed at this years Grammys as they were not nominated in any of the major categories. Bad Bunny whose album X 100Pre won Best urban music album accepted his award and alluded to all the other amazing urban artists who were left out this year.

I’ve included his song “Ni bien ni mal” from that album which is such an interesting and intriguing song. There are so many different musical choices made in this song especially at the end.

Happy listening!

- Elaine


Monday, November 18, 2019

Limelight: The Black Keys







Leslie stitches together a crash course on the go-to band for raucous blues rock for the past decade (or more, if you're die-hard): The Black Keys. They bring an urgency and a freshness to the sound that keeps it relevant and energetic -- while carving out a respected niche in the modern popular music landscape.

She kicks it off with a track from their 2006 Junior Kimbrough covers EP, Chulahoma.

The Black Keys earned international acclaim in 2010 with their album Brothers, recorded at the legendary Muscle Shoals Sound Studio. Much of this acclaim centered upon the Danger Mouse-produced lead single, "Tighten Up." Leslie deftly balances it with another, more soulful, cut from the album, "Never Gonna Give You Up."

Brothers was followed the next year by El Camino (see "Little Black Submarines" and "Mind Eraser") and then Turn Blue (see "Fever") in 2014, which would be their last album until "Let's Rock," which just came out earlier this year. "Lo/Hi" finds them right back in the pocket.

In addition to "Meet Me in the City," Leslies dips into the back-catalog once more with "Girl Is on My Mind," from 2004's "Rubber Factory."

Personally, I think you'd do yourself a favor if you haven't already checked out 2009's hip-hop collaboration project Blakroc. One of my favorite selections seems to have some licensing issues, as it doesn't appear on many versions of the album: "Coochie," featuring Ludacris and Old Dirty Bastard. Until they take it down, it's here on YouTube.

- Matt


Thursday, November 14, 2019

hooked.evd/DontStartNow: Kash Doll, Harry Styles, Kesha, Dove Cameron, Dua Lipa, Bastille, Meghan Trainor, Charli XCX








Dua Lipa has done it again.

"Don't Start Now" is fun, catchy, sure to be a hit. This playlist is full of songs that get stuck in my head.

The biggest surprise for me was "Another Place" by Bastille & Alessia Cara. Which song is getting stuck in your head?

- Erin


Monday, November 11, 2019

Monday Mix 191111: Snoop Dogg, The Weeknd, Emotional Oranges, Cassie, Mayer Hawthorne, Pomplamoose, Katy Perry, Miami Horror








"Personal" by Emotional Oranges has been on the radio a bit, and that inspired me to start a new playlist. After a bit, the "Don't Be Lazy" single came out in anticipation of the new album, The Juice: Vol. II (which dropped last week) and I swapped that one in and the rest of the playlist sort of fell together.

If you enjoy this playlist, you really should check out this continuous mix of tight grooves EO put out on YouTube.

This isn't the first playlist that I've pulled from Bush on. I love that record. Everything I love about Snoop and Pharrell.

I've used "Me & U" once before, on a Monday Mix I did with a theme of minimal pop music. I struggle re-using a song, but in the end it's worse to add a song that doesn't fit as well, so here it is. Emotional Oranges has covered the song, too.

Tom, who put out a recent Guest List, was the one who tipped me off to Pomplamoose and Miami Horror. I'm a little skeptical when a band's "thing" is to do covers, but I think Pomoplamoose does a really nice job of breathing life into the songs they do. This is one of my favorite Daft Punk songs, too, so I think they had good material to work with.

Unintentionally, each of these songs kind of explore different types of romantic relationships, so in a way it can read as a love story.

- Matt


Thursday, November 7, 2019

Top Tunes 1909-10 / Hot 100: Lizzo, Sean Mendes, Billie Eilish, Lil Tecca, Travis Scott, Lil Nas X, Taylor Swift, Lewis Capaldi, Khalid







HOLDING
#1 TRUTH HURTS / Lizzo

Erin - ⭐️⭐️⭐️ "Turn it up" I had a feeling this song would blow up at the beginning of the school year. It’s catchy and sassy. Lizzo is having a real moment right now and it’s well earned.

Matt - ⭐️⭐️⭐️ "Turn it up" Obv a fun-time banger. So much potential in her swagger. Looking for a laugh? The Kidz Bop kids trying to dish that Lizzo attitude will put a smile on your face.


UP 1
#2 SEÑORITA / Sean Mendes

Erin - ⭐️⭐️ "Leave it on" Snoozefest. I can’t find anything interesting in this song. It feels like a track that is just fun enough compared to whatever else is happening on the radio that it’s topping the charts. I like both artists in their own right and have included both of them on my playlists, but something happens when they collaborate that just puts me to sleep.

Matt - ⭐️⭐️ "Leave it on" Everyone knows exactly what this song is and where it's going, and that familiarity makes it very easy to listen to. (See Justin Timberlake's song of the same name.) Compare to their 2015 duet "I Know What You Did Last Summer" to see the trajectory of these two. Not sonically ambitious, but execution is tightening. Most notably for me is Cabello's verse with how she plays with tension and release. It starts off in regular cadence, then drifts off into he "la-la-la," only to rip back into a double-time cadence which is caught back into the on-time groove with the aid of Mendes' backing vocal, all brought to a head with he punctuating "don't stop."


DOWN 1
#3 BAD GUY / Billie Eilish

Erin - ⭐️⭐️ "Leave it on" Billie Eilish is great to have on the charts and certainly fills a need. This debut album is great but I’m surprised that Bad Guy is the hit single. The more I try to guess which track will be hot, the more I’m realizing that I’m not maybe as in touch with the general American pop music population as I used to be.

Matt - ⭐️⭐️ "Leave it on" If this is on your radio it's probably the best thing on your radio. Not a bad place to stop and wait for the ads on the other stations to end.


NEW
#4 RANSOM / Lil Tecca

Erin - ⭐️ "Turn it off" If you’ve been reading my reviews, you guessed I would rate this low. Rap is just not my wheelhouse. I’m very picky about cadence and timbre and Lil Tecca is doing nothing for me. There’s no interesting hook for me to sing along to and by the time you realize what’s happening with the song, it’s over.

Matt - ⭐️⭐️⭐️ "Turn it up" This is the type of light-weight post-trap soundcloud sound the radio needs. Barely clears two minutes, doesn't do much but it doesn't act like it's doing much. Pleasant.


NEW
#5 HIGHEST IN THE ROOM / Travis Scott

Erin - ⭐️⭐️ "Leave it on" Travis Scott is at it again. While not a song I would put on my playlist on purpose, I understand the appeal. Unlike Tecca, I like Scott’s timbre and he does some fun melodic stuff occasionally. It’s a good vibe, too.

Matt - ⭐️⭐️⭐️ "Turn it up" Where does trap go from here? I think it follows Travis Scott. Like DJ Rashad (refer to his 2014 landmark recording Double Cup), Scott takes the tropes of a dark and rhythm-heavy genre mostly known for its effectiveness in the dance club, and flips it into deep-listening excursions. What's remarkable is how much this song does in under three minutes. Remember, "SICKO MODE" clocked in over five (though its radio edit was brilliant).


NEW
#6 PANINI / Lil Nas X

Erin - ⭐️⭐️⭐️ "Turn it up" I don’t know why I like this song so much but I do. The short run time certainly helps. The melody on “Say to me what you want to me” reminds me of Nirvana’s In Bloom – “He’s the one who likes all our pretty songs,” and that is definitely working nostalgia for me.

Matt - ⭐️ "Turn it off" We didn't need "Old Town Road." We certainly don't need a weaker, somehow stupider song.


NEW
#7 YOU NEED TO CALM DOWN / Taylor Swift

Erin - ⭐️⭐️ "Leave it on" I think there’s a lot of negative energy around this song for being a bad LGBTQ theme song, but that’s not the point. It’s not supposed to be an LGBTQ theme song, it’s about unnecessary negative attention and some of that is aimed at the LGBTQ community. Generally, I like this song and the fact that Taylor is at least trying to not be the Alt-Right’s sweetheart.

Matt - ⭐️⭐️ "Leave it on" Sort of a "get off my lawn" / "holier than thou" vibe. It's fine, though, and it's a good reminder in an anxious world that we should all probably calm down. And not just on Twitter.


NEW
#8 SOMEONE YOU LOVED / Lewis Capaldi

Erin - ⭐️ "Turn it off" What am I missing here? It’s a fine song but to get #1? I thought it might have been a debut single from someone who just won a show but it’s not Capaldi’s first single and it’s not a bop. It just feels like an audition song for The Voice.

Matt - ⭐️ "Turn it off" Completely not my vibe, but it seems like every once in a while we need a song like this. The one hundred repetitions of the chorus really lets you wallow.


NEW
#9 LOVER / Taylor Swift

Erin - ⭐️⭐️⭐️ "Turn it up" I did an audible double take the first time I heard this song; I could not believe it was a Taylor Swift track. I’m not generally a huge Swift fan, but this album is my favorite of hers. I’m not surprise; it’s produced by Jack Antonoff which accounts for the style and sound change that resonates with me.

Matt - ⭐️ "Turn it off" Almost purely one star for my discomfort with the word "lover." IDK why, it's just not romantic at all to me. Swift claims that she and producer Jack Antonoff were trying to make songs that could be played on a 70's wedding reception stage. It's probably true, but then we need to ask ourselves if we need new old music, or if the old old music is good enough.


DOWN 6
#10 TALK / Khalid

Erin - ⭐️⭐️ "Leave it on" This track loses a star for age. Very into it from the beginning and I always appreciate a change of pace on the radio, but I’m ready to forget about this track for a while.

Matt - ⭐️ "Turn it off" Fine, but worn. This one can exit the airwaves. I've only once understood Khalid's vocal delivery, which sounds like he medically cannot open his mouth past a certain point, and that was on benny blanco's "Eastside" with Khalid and Halsey. A song I believe will sound fresh 10 years from now.





Monday, November 4, 2019

dolphinbright, "A Little Mysticism Never Hurt" with Eydie Gormé, Joe Bataan, Fleetwood Mac, Santana, Talking Heads, The Byrds, The Dip







Leslie pulls from the preoccupation a good handful of 70's artists had with magic and fantasy to create a rich and curious playlist.

The list suggests the continuation of these undertones into 80's popular music, as she connects "Rhiannon" to "Everywhere," which, in turn, refers us back to "This Must Be the Place."

A bewitching set, to be sure.

- Matt