Monday, October 30, 2017

Monday Mix 171030: Metallica, Megadeth, Nine Inch Nails, Green Jell(ÿ/ö), Guns N' Roses





An homage to some of my first cassettes. Metallica's Black Album MAY have been my very first tape.

Late nights with MTV: Headbanger's Ball, 120 Minutes, Liquid Television.

NIN's Broken -- and maybe even more so Fixed -- ended up shaping a significant portion of my musical aesthetic.


Monday, October 16, 2017

Monday Mix 171016: King Leez, Bun B, Lil Wayne, Gwen Stefani, Calvin Harris, Katy Perry, MiMS, Damian Marley






Reggae / dancehall influence in pop and rap.

Kernel track of "In My Mode," so I kicked it off with that one.

Then from "Fire" to "Mo Fire" (logical).

Then a Marley brother feature, then a Katy feature, then a Katy cut with the other Marley brother featured.

Love the toasting on that MiMS beat, for sure.

Capping the list with one of my favorite rap/reggae collisions, "Road To Zion." I'd probably put it here anyway, but the long outro makes it tough to put it anywhere else.

Monday, October 9, 2017

Monday Mix 171009: Rihanna, Tinashe, Lisa Lisa & Cult Jam, INOJ, Shannon, Toya, Dream, Nelly Furtado





Inspired by Tinashe's "Superlove," had to put it next to the classics by Lisa Lisa, INOJ, and Shannon. Bouncy, electro "freestyle" and R&B beats accentuate the smoothness in the pop starlets' vocals.

"Push Up On Me" is one of my favorite sleepers on Good Girl Gone Bad. Very, very tight and easy to listen to.

I put "Afraid" at the end because the end of that song is so tight, although I do think they kind of ruin it with the giggling. But also it's fun, so IDK.

Monday, October 2, 2017

Monday Mix 171002: Janet Jackson, Michael Jackson, Nas, Main Source, French Montana, Chaka Demus & Pliers, Jennifer Lara








I love intertextuality so this one was really fun for me.

First off, "R&B Junkie" makes a lot of references, so It's a fun intro track to set the scene for references across tracks.

From one Jackson to another, then into an MJ sample (Human Nature) with Nas, from what I consider to be one of the most important recordings of the popular music era, "Illmatic."

One element that makes Illmatic so important is the who's-who roster of producers on that album. That's why I picked another Large Professor / Nas match up with "Live at the Barbecue" to follow it.

At this point in the list, I'm trying to get back to the Jennifer Lara sample in "R&B Junkie," so I make a weak link from one rap track to another, which gets me into Freaks which has a lot of reggae samples in it. Maybe the most famous (aside from the foghorn blare) would be the plucky guitar line from the Bam Bam Riddim, made famous by Chaka Demus & Pliers with ther dancehall staple, "Murder She Wrote."

While I'm not in love with their cover of "Billie Jean," it is important here in this list to demonstrate the cultural exchange between Jamaican and American R&B, while also calling back to the Michael from track two.

We arrive, finally, at the Jennifer Lara track sampled in Janet's "R&B Junkie." I like a long last track with a nice groove.